OUT OF EARSHOT: DAY 3

Outside of attending Skintone’s talk “From the Black Atlantic to the Milky Way: An exploration of Afro-Futurism” at Eastern Edge, I spent most of Out of Earshot day three catching up with friends whose goodbyes I was already grieving.

Muffin, an RPM challenge band, opened up the late, and final, Out of Earshot show. Being their first live performance, vocalist Rebecca eased into their very tender stage presence as their set progressed. Joined with Liam, Jacob, Sarah, Derek, and Nicole, they sweetly sang about having each others backs and being good people.

muffin

Photo by Krystal Morgan

This set was followed by Isolation Kills who were also playing their first show. Formed by Nicole, Pepa, and Kieren, these pals [and neighbours] came together to create hardcore music for connection and healing. During this set, I reminisced about the final Out of Earshot show last year when Hard Ticket played their last show. There were many parallels of the feelings behind these sets – a group of pals being supported and celebrated by a room of all their pals.

isolation kills

Photo by Krystal Morgan

Prime Junk took the stage next wearing a western button up shirt, bolo tie, and corduroy jacket – an aesthetic that I am always charmed by. They were joined with Out of Earshot organizers Sarah Harris and Jess Barry, and revealed throughout their set that their band had recently dissolved. They played with great vulnerability and generously shared the ways they were reclaiming something deeply painful through playing these songs live one last time. This set was an act of resilience and catharsis – while they are firm it was the last of Prime Junk [even saying “rest in peace” as they left the stage], there seems to be hope that they will keep making music after their [inspiring] weekend at Out of Earshot.

The show, and the festival, came to a close with Century Egg from Halifax. The sincerity of their music is one you can really lean into – everyone in the audience was swaying, bouncing, smiling, having fun with each other. Asked for an encore, they came up to play one last song: Since I Caught You. As the song was coming to a close, Shane sweetly sang directly to her husband, Robert (guitar), “And I don’t know what else to do / since I caught you“.

With a final show that inspired and conveyed so much love, connection, and friendship, the second iteration of Out of Earshot comes to a close.

Until next year, xoxo.

OUT OF EARSHOT: DAY 2

I arrived at Eastern Edge to moderate a panel on DIY organizing within arts and music communities that I was invited to by Out of Earshot. While, through not your boys club, I have experience organizing without funding and with little help from other people, I am definitely not an expert – in fact, I think I am often doing it wrong. This was a learning opportunity for me as much as for the room of people in attendance.

Panelists Nick Dourado, Natasha Blackwood, Jenesta Power, Shauna Gilpin, and Nadia Duman, challenged the reality of “doing-it-yourself” and ways in which this work isn’t effective, efficient, or sustainable if we are working in silos. They spoke to the power in collaboration, community outreach, and building relationships. Here was where, after some brainstorming, we landed on “doing-it-ourselves” or “DIO” coined by Nick.

The conversation we had, one that seemed to resonate and energize many folks, wasn’t recorded. It will only exist as an oral narrative for those who witnessed it to share. I guess then, it is our responsibility, as holders of this knowledge, to keep having these conversations about what it looks like to organize within [but also against] mainstream arts and music industry.

Leaving the space, I received some critical feedback on my moderation from Nick, “You fucked up! You didn’t ask everyone’s astrological sign!”.

Kira Sheppard opened the early evening show with a performance that placed me in my own dreamscape world. Between her harp, the string lights at her feet, the reverb on her vocals, the bubbles blown by Pepa, I was floating on my own little cloud.

Our collective dreamscape was shattered by the dystopian future curated by Skin Tone [James Goddard]. With visuals, narration, experimental noise, free jazz saxophone, and tap shoes that stormed through the room, we were captivated. Consumed.

Juice Girls opened their set with Ghoul Gal, a song that could have came from outer-space, to ease us back into our dreamscape. In moments of awareness, I would realize the ways they were enchanting the audience – pulling us in like the moon pulls the tides.

juice girls

Photo by Krystal Morgan

While we moved to The Ship, the world that this thoughtfully curated show created was only briefly disrupted.

Francis [synth/percussion] and Nadia [vocals/guitar/bass] of CUERPOS took the stage. In the ways that each song builds with rhythm, volume, and intensity, so does their set. They have a really great intuition that allows them to communicate to each other, and to the audience, non-verbally. Assessing needs, engaging, and then elevating. For me, the techno beat and bass line during sugar free was the summit of their set.

cuerpos

Photo by Krystal Morgan

I experienced Dregqueen, an electronic project, from an open window next to the stage. While the air and light rain kept me cool, the humid draft coming from all the bodies moving inside the bar kept me warm. The view and personal space that I was afforded by choosing the window allowed me to really connect with and be enthralled by the ways Lees performs and interacts with the audience through their body and movement.

Like the night before, I finished my cigarette as they finished their set and headed home.


Contribution by Nik A Basset

OUT OF EARSHOT: DAY 1

I arrived into St. John’s on the eve of the festival to be with some of the people I have built strong friendships with since the inaugural Out of Earshot festival. From backyard dinner, to soft-serve twist cones, to pre-fest gathering, to a night swim under the stars, I really leaned into laughter, connection, and empathy.

When I woke up, the air felt crisp and cool and the sky promised us rain. I spent the day on a couch with my dear friend and her dog, intermittently sharing thoughts and feelings about community between typing away on our respective laptops.

When it came time to make our way to Eastern Edge Gallery for the artist meal and opening show, rain and fog had moved into the city. The OOE artist meal continues to be a beautiful space where people come together, share a meal, and catch up.

The line-up for the opening Out of Earshot show at Eastern Edge was Greta Warner, Weary, and Ilia Nicoll and the Hot Toddies.

Greta Warner, a young person living in St. John’s, played indie pop for us with only a guitar and loop pedal. Greta’s songs are honest narratives about loss, dating, and her connection to Lindsay Weir from the late 90’s show Freaks and Geeks.

greta warner.JPG

Photo by Krystal Morgan

Weary, a local soft-rock five-piece, followed Greta. Fronted by Kate Lahey, her banter reflects the ways she interacts with her world as simultaneously tender and tough. While being intentional and thanking her band, the sound people, the photographers, showing love and care for her friends, the girls rock alumni in attendance, and her partner, she also introduces her song Grocery Store by saying,

it’s hard to find spaces in St. John’s where you don’t scan the room for someone who makes you feel horrible. mine is the Sobey’s on Merrymeeting Rd.“.

weary

Photo by Krystal Morgan

Increasing in tempo, momentum, and volume, the Eastern Edge show closes with Ilia Nicoll and the Hot Toddies – a playful and enigmatic local pop outfit. Since Ilia’s move to Toronto, her return to St. John’s to play music notoriously brings excitement to any space.

ilia nicoll

Photo by Krystal Morgan

With the rain getting heavier as the night progresses, some of the crowd disperses and some make their way up the alley to The Ship Pub.

The late night loud show starts with a relatively new hardcore / screamo local band, Gossamer, fronted by Rebecca Hammond. Gossamer brings a lot of chaotic energy by playing with auditory and physical space. Rebecca takes to the floor and gives the audience everything that she can.

gossamer

Photo by Krystal Morgan

Walt, the Out of Earshot host of the night, introduces the following local band, Worst Lay. Fronted by Renee Sharpe, she introduces her music as a punk therapy session for herself, her band mates Pepa, Mitch, and Mara, and for everyone in attendance.

The next act, while differing in sound but similar in emotion, Backxwash, delivers a rap set that maintains the anger, but takes it to the next level. Parallel to Kate Lahey’s intro to Grocery Store earlier, Backxwash introduces her song Devil in a Moshpit by sharing that it’s about performing in front of someone that you hate.

Her music and performance is a powerful commentary on her experiences of oppression as a queer and trans black person [so like, you’re walking around harassing people because you’re uncomfortable in your own skin / this shit is ridiculous / i’m laughing at you / i don’t really give a fuck, no sympathy for the cis]. While this is only a glimpse of the dialogue that she has with her audience, this messaging is consistent throughout her music and performance.

Grief, a hardcore band from Halifax, closed out the first night of Out of Earshot. Giving my ears a rest, I listened to them from under an awning outside as I smoked a cigarette with a friend. As my cigarette finished, so did their set, but I’ll have a chance to see them again on Saturday.


Contribution by Nik A. Basset

OUT OF EARSHOT: FIRST WAVE LINEUP ANNOUNCEMENT

Out of Earshot have announced the first wave of artists, musicians, and writers that will be at their second festival this August (22nd-24th) – including not your boys club!

In this beautiful partnership, we aim to facilitate platforms for under-represented emerging musicians, artists, and writers in spaces that are safe, supportive, and affirming.

Jess Barry, a member of Out of Earshot’s Board of Directors, says:

“Out of Earshot is truly a community-driven celebration of music and art. We are constantly learning and are greatly inspired by the thought and care we see demonstrated by other independent festivals in their programming, their support for emerging artists, and their commitment to diversity and to experimentation. Out of Earshot is a change to make lasting friendships, to experience new perspectives, and to come together to celebrate the waysys in which we express ourselves and support each other.”

Similar to last year, not your boys club will be sharing pre-festival coverage highlighting and centering some of the femme, trans, and gender non-conforming folks that are organizing and performing at the festival.

During the festival, nybc will be present and provide media coverage for headlining touring musicians Prime Junk (MTL), Century Egg (HFX), Juice Girls (HFX), Pure Pressure (TO), Hélène Barbier (MTL), and Dregqueen (MTL), local musicians Worst Lay, Gossamer, Kira Sheppard, Weary, Ilia Nicoll and the Hot Toddies, Greta Warner, writers Violet Drake and Carmella Gray Cosgrove, and artists The Rock Vandal and Isha Watson [+ more !!].

Tickets are available online or at Toslow (183A Duckworth Street, St. John’s, NFLD).

OoE 2019 Poster


Contribution by Nik A Basset

FESTIVAL LINEUP: FLOURISH

Announced this morning, Flourish Fest released their full 2019 festival line-up happening the weekend of April 25th to 28th.

Held in Fredericton, NB, Flourish is a music & arts festival with inclusive programming that promotes and embraces community-building, the DIY and emerging, and works that challenge and engage. With intentionally diverse programming, there is something for everyone to appreciate and enjoy.

From the glittery indie-pop of And the Kids, Property, and Thanya Iyer, the punchy punk of Esme & the Dishrags, Coy, and Lemongrab, the vulnerable soft-rock of Weary, l i l a, and Mary-Kate Edwards, the electronic soundscapes of Terre Wa, VERSA, and Kee Avil, and everything else in between – there really isn’t any musical genre left ignored.

not your boys club is excited to be partnering with Flourish and providing pre-festival coverage and promotion by interviewing some of the organizers, artists, and musicians that will be contributing to the overall experience of the weekend.

Purchase a festival pass and apply to volunteer at http://www.flourish-fest.com.

Flourish_Festival_2019-Poster_Final-01


Contribution by: Nikki A Basset

OUT OF EARSHOT: DAY 3

Day three of Out of Earshot started mid-afternoon with an outdoor show. I arrived at Bannerman park with a dog named Soda and a rootbeer cherry slushee; it was a beautiful day to sit in the grass with pals and listen to music.

Sandwiched between Neil Conway and Dormitories was Renders (ON) – Kelly McMichael’s feminist electro pop project. Joined by her pal Maria Peddle (and later Claire Whitehead), they harmonized their vocals and had a captivatingly silly stage dynamic. Through dancing and high-fives, it was apparent how much fun they had playing music together, and through the lyrics of she’s badass, it was clear how meaningful Kelly’s friendships with non-men are to her.

renders 2.JPG

Photo by Krystal Morgan

Post-outdoor show, I walked downtown to get a coffee from an Out of Earshot sponser and partner, Fixed Coffee & Baking. With americano in hand, I made my way to the Eastern Edge gallery for a talk by Chris Murdoch (NS) called “Black Dots” about the history and experiences of African-Canadians/Americans in punk and hardcore music communities.

While the talk was informative as Chris traced the history of African-Canadian/American musicians in punk and hardcore, he also shared his lived experience as an African Nova Scotian listening to punk and participating in his respective community. He spoke about having to do what he called, “the racism check”, where he would have to ask whether the music he likes, likes him. He spoke about the ways in which seeing other African-Canadian/Americans participating in punk scenes encouraged him to do the same. He spoke about the alienation he felt from within both the (predominately white) punk scene and the African Nova Scotian community when he started playing in bands.

Throughout his talk he drew parallels to how womxn and trans people might also experience discrimination and alienation in music communities. Instead of the racism check, we do the sexism, misogyny, and transphobia check. We feel safer going to shows and playing on bills where other femme and gender non-conforming people have been booked. We often experience imposter syndrome participating in music communities where space is predominately taken up by cis-men.

It is so important to support local musicians in your community that are BIPoC, femme/non-binary, or identify as LGBTQIA2S+. Show up, buy their merch, book them at your shows – the more space they are given and visibility they receive, the more other marginalized folx who want to participate in music communities will feel safer to do so.

chris murdoch.JPG

Photo by Isobel McKenna

Meanwhile, in an alleyway nearby, a generator buzzed loudly as they set up for a sneaky punk/hardcore show – there is something special about the excitment you get for a show you anticipate will get shut down.

Worst Lay (NL) played the alleyway first. Renee Sharpe is an incredible front person; when I spoke with her for the Out of Earshot interview series, she shared with me that she’s always creating what she needs in the moment, and right now, she’s healing. Worst Lay, for her, is punk therapy. Although I was deeply impressed by her ability to repeatedly scream “destruction! love!” without breaking, I think that there was more to this performance than vocal stamina – it’s about surviving.

worst lay

Photo by Isobel McKenna

DOXX (ON) followed their set and as I was disappointed to have missed their set the previous night, I was thrilled to have a second chance to see their set. Stephanie Muise (“smuise”) wrote about their set the night before, “this was the first time DOXX played in Newfoundland and you can tell that it won’t be their last – they were the talk of the town”. She wasn’t wrong – Newfoundland loves DOXX. Everyone showed up again with a kind of excitement as if they hadn’t seen them the night before. They delivered what I assume was a set just as loud and fast as the night before; twice (maybe three times) Jess Barry (yee grlz) had to run in to pick up the crash cymbal that made it off of its stand.

doxx alley.JPG

Photo by Isobel McKenna

The generator powered down and everyone in the alleyway started to clear out; the late and final Out of Earshot show was up the street at Republic. Here we saw Conditioner, Hard Ticket, Doffing, and Surveillance.

Hard Ticket (NL) received a lot of warmth and support during their set as beloved member Meg Harnum (drums) is moving to Montreal and they won’t be playing a show together for awhile. While the support largely came from the crowd (you should have seen the bootleg Hard Ticket shirts Nicole’s (vocals/bass) parents made for themselves!!), much of the support was internal. This is a band that very obviously cares for and supports each other unconditionally.

nicole hard tickie.JPG

Photo by Isobel McKenna

As the final show of the festival came to a close there were many big feelings being tossed around. The organizers (Jess Barry, Sarah Harris, Nicole Boggan, Pepa Chan, Robin Follett, Riley Pike (they/them), Nicole Squires, Becky Gibson, and Maria Peddle) were celebrating an inaugural festival that went beyond just going well logistically. Between sharing and eating food together, supplying water bottles and phone chargers, having naloxone kits on hand, never turning anyone away for lack of funds, having both all ages and bar shows, providing accessibility information, and being some of the kindest folx I’ve ever met, they successfully created a positive, safe, inclusive, and supportive environment for artists and attendees.

❤ ❤ ❤


STAFF CONTRIBUTION: Nikki A. Basset

OUT OF EARSHOT: DAY 2

I woke up on Friday morning and knew something was wrong. Despite my intention of making it out to every show, reading, and dinner, a stomach flu kept me home that day. Although I regrettably missed Amery Sandford and Pepa Chans zine making workshop, readings by Heather Nolan and Violet Drake, and sets by Emo Pope, Syngja, Blunt Chunks, Eastern Owl, Ritual Frames, Doxx, Frail Hands, and Yee Grlz, I was lucky enough to have some kind pals write about and photograph some of them for me.

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Violet Drake took cool command of the room at Broken Books. Though she tackled difficult topics such as violence, sexual assault, alienation, and dysphoria, she addressed the crowd with a certain gentleness. Her poetry was heavy, impactful, important. You could feel the weight of it in the room. For me, the most powerful aspect was how she brought her characters to life with their accented Newfoundland voices. These voices drew soft giggles from the crowd, yet they spoke harsh realities of judgement and ignorance, reminding me of every “it’s only a joke b’y” I’ve ever heard. Violet’s poetry is rooted firmly in Newfoundland soil, but it is not afraid to dig up a little dirt.


GUEST CONTRIBUTION: Samantha Fitzpatrick

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After hiking up Signal Hill and eating tacos at the Eastern Edge gallery, I headed to The Republic to see the late show for Out of Earshot day 2.

Yee Grlz (NFLD) started their set with my absolute favourite track who’s protecting who. They played all the songs from their new EP mercury retrograde, which should be added to your end of summer playlist immediately. Catherine Roberge also introduced their song imposter syndrome by saying “This song is about thinking and worrying you won’t be good at something but then doing it anyways – it’s about saying fuck it and having fun with your friends!”, a sentiment Chris Murdoch later echoed during his presentation Black Dots on Day 3.

yee grlz

Photo by Isobel McKenna

Frail Hands (HFX) played next – opening up with the song image of you from their newest split with Ghost Spirit (CA). This was the tightest set I’ve ever seen Frail Hands play. It’s rare to see a skramz band playing a punk festival but this is the perfect example of the inclusive and diverse nature of Out of Earshot. My favorite part of the set was at the end when vocalist Dawn parted the crowd like a sea and took up the space she needed for their final and most emotional track every volatile thing.

frail hands

Photo by Isobel McKenna

DOXX (OTT) closed the show and played the absolute ripper of a song STAB RISK from their most recent EP. At this point all the dominion beer was sold out at the bar which could possibly explain why I don’t remember the exact order of their setlist. This was the first time DOXX played in Newfoundland and you can tell that it won’t be their last – they were the talk of the town. Their set left me wondering how music so mean (see: chain) can come from the sweetest people you’ll ever meet.

doxx

Photo by Isobel McKenna

VOLUNTEER CONTRIBUTION: Stephanie Muise (“smuise”)